When you work with a model itâs very important to find a common language with them and find the keys to their moods, gradually putting them to yourself. You have to be trusted, first of all, as a professional. There are situations when you have to trust the photographer 100%: âstand on the edge of a cliff, jump in the mud, run like crazyâ. If you hear in response, âWhy??â or âI wonât do it,â then either itâs not your person, or you havenât been able to prove that your opinion can be relied upon.
Author: Nikita Zhurnakov
Full review of the Canon EOS R mirrorless camera
So I always tell the model what kind of shots I want, and I tell her about her character, how he feels, and what he should do. You donât have to ask, âMake it pretty.â. Itâs better to show whatâs in your head. You can do this with the help of a pre-collected mood board. If youâre still not registered on Pinterest, do it now. Stop searching for âphoto shoot posesâ on your search engine. Write on Pinterest: âstory + editorialâ and youâll find a lot of cool cards, because editorial is a magazine series. You have to pick the clothes for the shoot? Your request: âstyle + outfit.â. You can also do searches for specific things in print media, like âBazaar boat editorialâ.
When you have a ready visualization in your mind, it becomes easier to work, there is no feeling of emptiness in your head. And the model will see your confidence, she will feel more comfortable working with you. Itâs also worth creating the right atmosphere on the set or location. Music can help you set the right rhythm and mood for your shoot. Do not forget that everyone is looking for a photographer with taste and an understanding of aesthetics.
Sometimes I allow the model to live and act as she feels comfortable, and just catching frames. That way she stays herself, she stays natural and easy on the set, donât overload her directing, let her âbreatheâ. If the model remains stiff and canât open up, I resort to artificial posing: âsit on a chair, tuck your legs under you, make your ears back, lean back, look out the window, look harder, etc.d.âThe easiest way, of course, is to switch roles: Iâm not shy and show what I want to see myself. The model learns how to move and becomes more relaxed
Donât be afraid to show your model photos from the camera while you are shooting, she can see what you are not paying attention to, fix it, make it better a certain shot. When you show her raw images you show her level of confidence in the person youâre photographing. Donât be stingy with emotion: it energizes the whole team. Even if a model has walked down the catwalks of the world, or shoots for Leibovitz, she would be pleased to get a compliment or just a smile from a photographer. Remember, charisma is your main weapon!
Experiment, try new things and most importantly enjoy the process!
Could you explain the process of working with the model and creating an inspiration board in more detail? How do you find and select the model? What materials or tools do you use to create the board? And how do you ensure that the board effectively captures and conveys the desired inspiration?
What are some effective techniques for working with a model and creating an inspiration board? Any tips or recommendations for organizing ideas and making the most out of the creative process?