The New Elite: Overview of APS-C Zoom Lenses

A major milestone in the development of digital photography, and one that defined its demise into the mainstream, was the adoption of the APS-C format as the new standard for light-sensitive sensors. This choice was originally made because of the prohibitively expensive matrices, but it turned out to be the conditions that made it possible to reformat interchangeable optics.

The first lens designed specifically for the new format was the Nikon 12-24mm f/4G IF-ED AF-S DX wide-angle zoom, which came out way back in 2003. It is very significant that it is still being produced today and is still one of the benchmarks for quality photographic optics.

After that it sprinkled like a bucket: cheap “kit” zooms, new discrete, all sorts of zooms, and very soon a cohort of elite new format, professional class lenses with impeccable optical characteristics and interesting pattern began to form although in fact we see, that the mainstream trend in contemporary optics is not particularly fond of the concept of an individual lens pattern, as it was a century and a half or half a century ago, but instead strives for a faceless-ideal, like a Barbie doll, rendering of the outer world with pre-programmed sharpness-plasticity-contrast, painstakingly calculated by computer .

But there’s nothing you can do about it – o tempora, o mores – such is the general mood of the minds of those who determine the path of progress. Individualists can collect vintage optics and match them to today’s cameras, which isn’t hard at all.

But let’s not get distracted. So, to date, each manufacturing firm has formed an impressive lineup of optics, and a significant portion of it consists of serious professional and semi-professional lenses. There will always be a demand for them: an observant photographer soon realizes that lenses are at least as important as the camera for a good shot and starts saving for decent optics.

Our current review concentrates on the best zoom lenses for APS-C format cameras. It doesn’t include the superzooms, because their main feature is not a perfect picture but the convenience and universality. In the course of selecting lenses for the test we found two interesting things.

First of all, not so many really high quality zooms were found at the greats Canon and Nikon. Apparently, their main effort in developing premium optics is in the segment of lenses for full frame cameras.

It’s amazing how many excellent zooms Pentax has got, though, when you think about it, there’s nothing to be surprised about: it has full-frame models for now? no, and this company has always been known for top-notch optics.

So, the current boom is understandable, and it’s a pity that the products of this company have not yet become as popular in America as abroad. Secondly, it’s amazing that the best lens for recent time we were pleased with relatively small at least its turnover is not comparable with the grands company Sigma which released absolutely stunning 18-35mm f/1.8 DC HSM zoom with unprecedented f/1.8 aperture ratio, which, in addition, remains unchanged at all focal lengths. It has a small focal length and no stabilizer, but its gorgeous image makes up for it and in its still very short life it has already collected an impressive number of top awards.

So progress continues and hopefully will bring us many more pleasant surprises.

Good shooting!

READ MORE:

Back to basics: fixed focal length lens reviews.

All-rounders in a new format: Overview of mirrorless lenses.

Eyes wide open: overview of wide angle lenses

Light is power: an overview of professional light-fast zooms for full-frame cameras.

Stability in the masses! Overview of Budget Lenses with Optical Stabilization.

Canon EF-S 10-22 mm f/3.5-4.5 USM

Bayonet	Canon EF-S
Image format	APS-C 22.3 x 14.9 mm
Lens design	13 elements in 10 groups
Focal length	10-22mm
Focal length 35mmEq.	16-35mm
Maximum aperture	3,5-4,5
Minimum aperture	22-27
Angle of view	107° – 63°
Minimum focus distance	24 cm
Maximum magnification	0,17h
Quantity aperture blades	6 rounded
Type of lens hood	EW-83E
Light filter diameter	77 mm
More features	UD glass elements
Dimensions	83.5 ×90mm
Weight	385 g

One of the first high-end zooms developed by Canon for the new APS-C sensor format. At the time, it was rumored to be a serious contender for admission to the most prestigious line of L lenses, but failed in color reproduction, one of the main criteria of luxury lenses.

But the overall image is excellent: sharpness is very good and distortion is low. Proprietary Super Spectra coating effectively fights glare and flare in backlighting and when light sources are present in the frame. Autofocus is fast and accurate even in low light. A solidly made lens, yet quite compact and lightweight for its class.

Price $680 [IN THE BEGINNING OF THE REVIEW]

Canon EF-S 15-85 mm f/3.5-5.6 IS USM

Bayonet	Canon EF-S
Image format	APS-C 22.3 × 14.9 mm
Lens construction	17 elements in 12 groups
Focal length	15-85mm
Focal length 35 mm Eq.	24-136 mm
Maximum aperture	3,5-5,6
Minimum aperture	22-38
Angle of view	84° – 18°
Minimal focus distance	35 cm
Maximum magnification	0,21h
Number of aperture blades	7 rounded
Hood type	EW-78E
Light filter diameter	72 mm
Supplementary features	image stabilizer
Dimensions	81.5 × 87.5 mm
Weight	575 g

Relatively recent model released in autumn 2009 , conceived as a universal staff lens for high-end APS-C format cameras such as the Canon EOS 7D, which was released at the same time. The developers succeeded in their task: the lens is really all-purpose, with a quality picture, a wide range of the most popular focal lengths eq. 24-136mm and advanced optical Image Stabilizer – the company claims to have 4-stop performance. Minimal focus distance allows you to shoot at a considerable magnification, so it can handle many macro subjects.

Price $620 [IN BEGINNING OF REVIEW]

Canon EF-S 17-55 mm f/2.8 IS USM

Bayonet	Canon EF-S
Image format	APS-C 22.3×14.9 mm
Lens construction	19 elements in 12 groups
Focal length	17-55mm
Focal length 35mmEq .	27-88 mm
Maximum aperture	2,8
Minimum aperture	22
Angle of view	78° – 28°
Minimum focus distance	37 cm
Maximum magnification	0,17h
Number of aperture blades	7 rounded
Hood type	EW-83J
Light Filter Diameter	77 mm
Optional features	image stabilizer
Dimensions	83.8 × 112 mm
Weight	645 g

The most professional of all Canon’s APS-C sensor zooms, so if the company decides to establish an L-league for EF-S lenses, this model should rightfully be the first. Featuring three aspherical lenses and an ultra-low dispersion UD glass element, it delivers exceptional sharpness and richness at all focal lengths with minimal aberrations. Constant aperture of f/2.8 gives photographers complete freedom. Image stabilizer provides three additional shutter speeds. Recommended for cameras with high-resolution sensors.

Price $860 [IN BEGINNING OF REVIEW]

Canon EF-S 17-85 mm f/4-5.6 IS USM

Bayonet	Canon EF-S
Image Format	APS-C 22.3×14.9 mm
Lens design	17 elements in 12 groups
Focal length	17-85mm
Focal length 35mm Eq.	27-136 mm
Maximum aperture	4-5,6
Minimum aperture	22-32
Angle of view	78° – 18°
Minimum focus distance	35 cm
Maximum magnification	0,20h
Number of aperture blades	6 rounded
Hood type	EW-73B
Light Filter Diameter	67 mm
Optional features	image stabilizer
Dimensions	78.5 ×92 mm
Weight	475 g

One of the first all-in-one zooms for APS-C sized cameras, released in 2004. Features a stabilizer with about three-stop performance and fast autofocus with ultrasonic motor that focuses reliably even in difficult light conditions. After the release of the more modern EF-S 15-85 mm f/3 universal zoom.5-5.6 IS USM is significantly cheaper, so you can save a lot of money if you can do without the very wide angle. Use of double-sided aspherical lens provides high-quality images at all focal lengths while keeping the lens light and compact.

Price $360 [IN BEGINNING OF REVIEW]

Canon EF-S 18-135 mm f/3.5-5.6 IS STM

Bayonet	Canon EF-S
Image Format	APS-C 22.3×14.9 mm
Lens design	16 elements in 12 groups
Focal length	18-135 mm
Focal length 35mm Eq.	29-216 mm
Maximum aperture	3,5-5,6
Minimum aperture	22-38
Angle of view	74° – 11°
Minimum focus distance	39 cm
Maximum magnification	0,28h
Quantity aperture blades	7 rounded
Hood type	EW-73B
Light filter diameter	67 mm
Supplementary features	Image stabilizer, stepper motor
Dimensions	76.6 ×96 mm
Weight	480 g

Released in Summer 2012. One of Canon’s latest innovations, showing just how much progress has been made in optical technology in recent years. Compared to the previous EF-S 18-135 mm f/3.5-5.6 IS in this novelty applied a different optical scheme, and, most importantly, the newest stepper motor, which provides a fast, accurate and almost silent constant autofocus in video shooting works only with new cameras Canon . The first lens with Dynamic IS optical stabilizer that lets you shoot video even on the move. The optical circuitry includes ultra-low dispersion glass elements and ultra-precise aspherical elements.

Price $350 [IN BEGINNING OF REVIEW]

Nikon 10-24 mm f/3.5-4.5G ED AF-S DX

Bayonet	Nikon F
Image Format	APS-C 23.5×15.6 mm
Lens construction	14 elements in 9 groups
Focal length	10-24 mm
Focal length 35 mmEq.	15-36 mm
Maximum aperture	3,5-4,5
Minimum aperture	22-29
Angle of view	109° – 61°
Minimum focus distance	24 cm
Maximum magnification	0,20h
Number of aperture blades	7 rounded
Hood type	HB-23
Light Filter Diameter	77 mm
Additional features	2 ED glass elements
Dimensions	82.5 ×87 mm
Weight	460 g

State-of-the-art released in 2009 high-end ultra-wide-angle zoom. Built-in SWM focusing motor allows the lens to be used with modern budget SLRs with full autofocus. The optical design is comprised of 3 aspherical elements and 2 low-dispersive glass lenses ensuring sharp, crisp images with rich detail at all focal lengths and minimal aberrations. In the model announcement the manufacturer pointed out that such a modest price of the lens does not reflect its optical merits at all. Opinions vary about the modest price tag averaging $760 , but the overall statement is encouraging.

Price $760 [IN BEGINNING OF REVIEW]

Nikon 12-24 mm f/4G IF-ED AF-S DX

Mount	Nikon F
Image format	APS-C 23.5×15.6 mm
Lens construction	11 elements in 7 groups
Focus distance	12-24 mm
Focal length 35mm-eq.	18-36 mm
Maximum aperture	4
Minimum aperture	22
Angle of view	99° – 61°
Minimum focus distance	30 cm
Maximum Magnification	0,12h
Number aperture blades	7 rounded
Type of hood	HB-23
Light filter diameter	77 mm
Optional features	ED glass elements
Dimensions	82.5 ×90 mm
Weight	485 g

The granddaddy of all cropped optics – the very first APS-C lens since 2003. Nikon has put all the power of their technology into it. Introducing six years later and that’s a long time for optics the new and also not cheap Nikon 10-24 mm f/3.5-4.5G, the company said it was “almost equal” to the veteran in some aspects. The optical design features ultra-low dispersion lenses and aspherical elements, with an exclusive coating that removes glare. A fixed f/4 aperture is another sign of a top class lens. Internal focusing ensures that the lens dimensions do not change when focusing.

Price $1030 [IN BEGINNING OF REVIEW]

Nikon 16-85 mm f/3.5-5.6G ED VR AF-S DX

Bayonet	Nikon F
Image format	APS-C 23.5 × 15.6 mm
Lens construction	17 elements in 11 groups
Focal length	16-85 mm
Focal length 35 mm Eq.	24-127.5 mm
Maximum aperture	3,5-5,6
Minimum aperture	22-36
Angle of view	83° – 19°
Minimum focus distance	38 cm
Maximum magnification	0,22h
Number aperture blades	7 rounded
Type of lens hood	HB-39
Light filter diameter	67 mm
Additional features	2 ED glass elements
Dimensions	72 ×85 mm
Weight	485 g

Versatile high magnification zoom, relatively affordable, comfortable and compact. The lens uses a second-generation optical stabilizer, which means it provides up to four additional shutter speeds. The optical design incorporates two ultra-low dispersion glass elements and aspherical elements, which on the one hand gives excellent image quality – sharpening and contrast are improved, and aberrations are effectively corrected – and on the other hand allows the lens to remain lightweight and compact. Silent ultrasonic focusing motor works with all modern Nikon DSLRs.

Price $510 [IN BEGINNING OF REVIEW]

Nikon 17-55 mm f/2.8G ED-IF AF-S DX

Bayonet	Nikon F
Image format	APS-C 23.5×15.6 mm
Lens design	14 elements in 10 groups
Focal length	17-55 mm
Focal length 35 mm Eq.	25.5-82.5mm
Maximum aperture	2,8
Minimum aperture	22
Angle of view	79° – 28°
Minimum focus distance	36 cm
Maximum magnification	0,20h
Number of aperture blades	9 rounded
Type of lens hood	HB-31
Light Filter Diameter	77 mm
Auxiliary features	3 ED glass elements
Dimensions	85.5 × 110.5 mm
Weight	755 g

Professional zoom with more than three times the medium focal length range. The most expensive of all the lenses designed for cameras with an APS-C sensor, but the high price is justified by the excellent optical design, which uses three elements of ultra-low dispersion glass to minimize aberrations, including chromatic aberrations. Highest sharpness and contrast in line with requirements of professional optics. Supersonic focusing motor specially designed for this model operates instantly and silently.

Price $1370 [BEGINNING OF REVIEW]

Pentax Fisheye SMCP-DA 10-17 mm f/3.5-4.5 ED IF

Bayonet	Pentax K
Image Format	APS-C 23.5×15.6 mm
Lens design	10 elements in 8 groups
Focal length	10-17 mm
Focal length 35mmEq .	15-25.5 mm
Maximum aperture	3,5-4,5
Minimum aperture	22-32
Angle of view	180° – 100°
Minimum focus distance	14 cm
Maximum magnification	0,39h
Number of aperture diaphragm blades	6 rounded
Hood type	built-in
Light Filter Diameter	no
More features	fisheye effect
Dimensions	68.6 ×71 mm
Weight	320 g

Unique ultra-wide-angle zoom fiche with distinctive curvature of image lines. The main purpose of this lens is to take creative pictures and create various expressive effects. The fisheye effect varies with focal length and is strongest at the widest angle. The optical circuitry includes special glass elements that provide excellent sharpness across the entire field of view and excellent color reproduction. Newly developed proprietary Super Protective coating protects the front lens from moisture and grease, making cleaning the optics easier.

Price $520 [IN BEGINNING OF REVIEW]

Pentax SMCP-DA 12-24 mm f/4 ED AL IF

Bayonet	Pentax K
Image Format	APS-C 23.5×15.6 mm
Lens construction	13 elements in 11 groups
Focal length	12-24 mm
Focal length 35 mmaqd .	18-36mm
Maximum aperture	4
Minimum aperture	22
Angle of view	99° – 61°
Minimum focus distance	30 cm
Maximum magnification	0,12h
Number of aperture blades	8 rounded
Type of hood	PH-RBI77 included
Light filter diameter	77
Optional features	ED glass element
Dimensions	83.8 × 86.4 mm
Weight	431 g

High-end super wide-angle zoom with constant f/4 aperture. Optics have always been the forte of the Pentax SLR system and this lens carries on the company’s tradition of creating superb images with sharpness across the frame, distinctive plasticity and superb color reproduction. Proprietary lens coating reduces reflection to virtually zero, ensuring no flare or ghosting even with light sources in the frame. An indispensable landscaping tool that gives photographers a unique perspective.

Price $930 [IN BEGINNING OF REVIEW]

Pentax SMCP-DA* 16-50 mm f/2.8 ED AL IF SDM

Bayonet	Pentax K
Image format	APS-C 23.5×15.6 mm
Lens construction	15 elements in 12 groups
Focal length	16-50 mm
Focal length 35 mm Eq.	24-75 mm
Maximum aperture	2,8
Minimum aperture	22
Angle of view	83° – 31°
Minimum focus distance	30 cm
Maximum magnification	0,21h
Number of aperture blades	9 rounded
Type of hood	inclusive
Light filter diameter	77
Optional features	2 ED glass elements, all-weather protection
Dimensions	83.8 ×99 mm
Weight	565 g

Professional zoom for the legendary “star” series with exceptional image quality. Constant f/2.8 aperture throughout the entire focal length range gives the photographer complete freedom to work with the image the optical pattern is known to change with changing the working aperture, not to mention the ability to beautifully blur the background and select the desired depth of field . The optical scheme uses special glass and aspherical elements for unmatched sharpness, microcontrast and color reproduction. The lens is weatherproof and has SP coated on the front lens.

Price $980 [BEGINNING OF REVIEW]

Pentax SMCP-DA 17-70 mm f/4 AL IF SDM

Bayonet	Pentax K
Image format	APS-C 23,5×15,6 mm
Lens design	17 elements in 12 groups
Focal length	17-70 mm
Focal length 35 mmEq .	25.5-105mm
Maximum aperture	4
Minimum aperture	22
Angle of view	79° – 23°
Minimum focus distance	28 cm
Maximum magnification	0,31h
Number of aperture blades	7 rounded
Type of lens hood	PH-RBM67 included
Light filter diameter	67
Optional capabilities	ED glass element
Dimensions	76 ×94 mm
Weight	485 g

A versatile stock zoom that combines a long range of the most popular focal lengths, excellent image quality and relative affordability – an excellent choice for everyday shooting. F/4 aperture ratio at all focal lengths. Built-in ultrasonic motor for fast, precise and smooth focusing. The proprietary multi-layer coating on all of the optical surfaces in the lens produces juicy images with sharp contrast and effectively combats flare and ghosting. Manual focus correction possible at any time of shooting.

Price $530 [BEGINNING OF REVIEW]

HD Pentax DA 20-40 mm f/2.8-4 ED Limited DC WR

Bayonet	Pentax K
Image format	APS-C 23.5×15.6 mm
Lens construction	9 elements in 8 groups
Focal length	20-40mm
Focal length 35 mm Eq.	30-60 mm
Maximum aperture	2,8-4
Minimum aperture	22-32
Angle of view	70° – 39°
Minimum focus distance	28 cm
Maximum magnification	0,20h
Number of aperture blades	9 rounded
Hood type	MH-RA55 included
Light Filter Diameter	55 mm
Additional features	ED glass and low-dispersion glass elements, HD coating, all-weather protection
Dimensions	71 ×69mm
Weight	283 g

The first zoom for the highly acclaimed Limited Series, which unites lenses with exceptional image quality and inimitable optical design. Focal length range is only 2x Eq. 30-60 mm , which is not surprising: zooms with a large aperture cannot provide an image worthy of the Limited series. The model appeared at the end of last year, but it has already seriously challenged for the title of Best Lens 2014. Weatherproof also a first for this camera series and aluminum housing, which has been crafted with meticulous attention to detail. All lenses in the circuitry have the latest, 50% more effective HD coating.

Price $1060 [IN BEGINNING OF REVIEW]

Pentax SMCP-DA* 50-135 mm f/2.8 ED IF SDM

Bayonet	Pentax K
Image format	APS-C 23.5×15.6 mm
Lens construction	18 elements in 14 groups
Focal length	50-135mm
Focal length 35 mm Eq.	75-203 mm
Maximum aperture	2,8
Minimum aperture	22
Angle of view	31° – 12°
Minimum focus distance	101 cm
Maximum magnification	0,17h
Number of aperture blades	9 rounded
Hood type	complete
Light filter diameter	67
Optional features	3 ED glass elements, all-weather protection
Dimensions	76 ×137 mm
Weight	686 g

Professional telezoom lens from the legendary DA* series with permanent aperture of f/2.8. Designed specifically for APS-C sized cameras, surprisingly light and compact for its class. Achieve images of unprecedented quality, with flawless sharpness throughout the entire image area and at all focal lengths, superb contrast and color reproduction. Brand-name SMC coating on all optical surfaces effectively fights glare and flare, and the SDM ultrasonic focusing motor works quickly and quietly. Like all the lenses in this series, it has all-weather protection and the front lens has a special protective coating SP.

Price $1070 [IN BEGINNING OF REVIEW]

Sony 11-18mm f/4.5-5.6 DT

Mount	Sony A-Mount
Image Format	APS-C 23.6×15.6 mm
Lens construction	15 elements in 12 groups
Focal length	11-18 mm
Focal length 35 mm Eq.	16.5-27mm
Maximum aperture	4,5-5,6
Minimum aperture	22-29
Viewing angle	104° – 76°
Minimum focus distance	25 cm
Maximum magnification	0,125x
Number of aperture blades	7
Type of lens hood	ALC-SH0009 included
Light Filter Diameter	77 mm
Supplementary features	ED glass elements
Dimensions	80.5 ×83 mm
Weight	360 g

An ultra wide-angle zoom that covers the zoom range of Eq. 16.5-27mm. Compact and lightweight for its class. Released in the summer of 2006 and like most Sony lenses of the time, does not have a built-in focusing motor – focusing is done through a “screwdriver” drive from the camera motor. Nevertheless, the speed and accuracy of autofocus in Sony, as a rule, a sin to complain, especially in this case, focusing is internal, that is fast, and the size of the lens does not change when focusing. Glass elements in special glass ensure outstanding imaging performance.

Price $670 [IN BEGINNING OF REVIEW]

Sony 16-50 mm f/2.8 DT

Bayonet	Sony A-Mount
Image format	APS-C 23.6×15.6 mm
Lens construction	16 elements in 13 groups
Focal length	16-50mm
Focal length 35mm Eq.	24-75 mm
Maximum aperture	2,8
Minimum aperture	22
Angle of View	83° – 32°
Minimum focus distance	30 cm
Maximum magnification	0,20x
Number of aperture diaphragm blades	7
Hood type	SH117 complete
Light filter diameter	72 mm
Optional features	ED glass elements, all-weather protection
Dimensions	81 ×88 mm
Weight	577 g

Professional-grade all-purpose zoom with constant aperture of f/2.8. Focal length range equivalent to the classic 24-75 mm, i.e. the lens is equally suitable for landscapes and portraits. Refers to the new generation of optics released in 2011 , respectively, embodies the latest technological advances Sony. The inclusion of aspherical elements and three low-dispersion glass lenses in the optical design ensures effective aberration suppression at all focal lengths, while the built-in supersonic focusing motor ensures silent and fast focusing. All-weather protection.

Price $670 [BEGINNING OF REVIEW]

Sony 16-80 mm f/3.5-4.5 Carl Zeiss Vario-Sonnar T* DT

Bayonet	Sony A-Mount
Image format	APS-C 23.6×15.6 mm
Lens Design	14 elements in 10 groups
Focal length	16-80mm
Focal length 35 mm Eq.	24-120 mm
Maximum aperture	3,5-4,5
Minimum aperture	22-29
View angle	83° – 20°
Minimum focus distance	35 cm
Maximum magnification	0,24x
Number of aperture blades	7
Hood type	ALC-SH0005 included
Light filter diameter	62 mm
Additional features	ED glass elements, T* coating
Dimensions	72 ×83 mm
Weight	445 g

General-purpose zoom designed by the legendary Carl Zeiss, which in itself is a top recommendation. Although the aperture ratio varies depending on the focal length, the lens remains relatively “bright” even in the telephoto range. The proprietary T* coating, whose composition remains a top secret at Carl Zeiss, produces exceptionally sharp, microcontrast and rich images. The only drawback is the lack of a built in focusing motor. Although the motor-assisted sharpening is quick enough from the camera, you can’t call it silent.

Price $830 [IN BEGINNING OF REVIEW]

Sony 16-105 mm f/3.5-5.6 DT

Bayonet	Sony A-Mount
Image format	APS-C 23.6×15.6 mm
Lens construction	15 elements in 11 groups
Focal lengths	16-105mm
Focal length 35 mm-eq .	24-157mm
Maximum aperture	3,5-5,6
Minimum aperture	22-36
Angle of view	71° – 15°
Minimum focus distance	40 cm
Maximum magnification	0,23x
Number of aperture blades	7 rounded
Type of hood	ALC-SH105 included
Light filter diameter	62 mm
Optional features	ED glass elements
Dimensions	72 ×83 mm
Weight	470 g

Quality zoom with quite a large magnification 6.5x for everyday use. Very good optical performance just look at the MTF chart due to the use of aspherics and a single low-dispersion glass element, which also contributes to the lens’ compactness and lightness. Very well made, so it’s perfect for travel. Demonstrates exceptional sharpness at a wide angle, as well as remarkable light and flare resistance. Camera motor autofocus is probably the only drawback with this lens.

Price $540 [IN THE BEGINNING OF THE REVIEW]

Sony 18-135 mm f/3.5-5.6

Bayonet	Sony A-Mount
Image format	APS-C 23.6×15.6 mm
Lens design	14 elements in 11 groups
Focal length	18-135 mm
Focal length 35 mm-eq.	27-202.5 mm
Maximum aperture	3,5-5,6
Minimum aperture	22-36
View angle	76° – 12°
Minimum focus distance	43 cm
Maximum magnification	0,25x
Number of aperture blades	7 rounded
Hood type	included
Light filter diameter	62 mm
Optional features	ED glass elements
Dimensions	76 ×89 mm
Weight	397 g

High-end kit zoom, recently released in 2012. The 7.5x was big enough to make it into the superzoom category, but now we can just focus on the zoom range. By using lenses made of special kinds of glass and aspherics the construction was made quite compact and light, and image quality – steadily high at all focal lengths. Has a built-in focusing motor for fast, silent focusing, with manual override available at all times. The perfect choice for travel.

Price $400 [BEGINNING OF REVIEW]

Sigma 8-16 mm f/4.5-5.6 DC HSM

Bayonet	Sigma SA, Canon EF-S, Nikon F, Pentax K, Sony A
Image Format	APS-C 23.6×15.6 mm
Lens design	15 elements in 11 groups
Focal length	8-16mm
Focal length 35 mmEq.	12-24 mm
Maximum aperture	4,5-5,6
Minimum aperture	22
Angle of View	115° – 76°
Minimum focus distance	24 cm
Maximum magnification	0,12x
Number of aperture blades	7 rounded
Type of lens hood	built-in
Light filter diameter	no
Auxiliary in features	FLD glass elements
Dimensions	76 × 106.7 mm
Weight	555 g

This unique lens makes you realize that Sigma was the inventor of the wide-angle zoom and it still holds a strong position in this segment. Shortest focal length lens available in the world today for super wide-angle zooms. It is equivalent to 12 mm, which corresponds to an unimaginable angle of view and allows you to impressively play with perspective effects straight lines in the frame are transferred straight, and distortion is relatively low. The optical scheme has elements of FLD glass, similar in its characteristics to fluorite glass. The only drawback: you can’t mount a light filter.

Price $630 [IN BEGINNING OF REVIEW]

Sigma 10-20 mm f/3.5 EX DC HSM

Bayonet	Sigma SA, Canon EF-S, Nikon F, Pentax K, Sony A
Image Format	APS-C 23.6×15.6 mm
Lens Design	13 elements in 10 groups
Focal length	10-20 mm
Focal length 35 mm Eq.	15-30 mm
Maximum aperture	3,5
Minimum aperture	22
Angle of View	102° – 64°
Minimum focus distance	24 cm
Maximum magnification	0,15x
Number of aperture diaphragm blades	7 rounded
Hood type	complete
Light Filter Diameter	82
Additional features	ELD and SLD glass elements
Dimensions	86.4 ×89 mm
Weight	520 g

Sigma makes two super-wide-angle zooms with a range of focal lengths from 10-20mm in parallel, and this one takes the higher position in the lineup thanks to its constant f/3.5 aperture at all focal lengths the second zoom has f/4-5.6 . Part of the brand’s prestigious EX lineup – professional class optics. Great for landscapes and interiors, its desirable range of expressive and perspective effects are of great use in art photography. Special glass elements, aspherics and proprietary laminated lens coatings deliver outstanding image quality.

Price $580 [IN BEGINNING OF REVIEW]

Sigma 17-50 mm f/2.8 EX DC OS HSM

Mount	Sigma SA, Canon EF-S, Nikon F, Pentax K, Sony A
Image format	APS-C 23.6×15.6 mm
Lens construction	17 elements in 13 groups
Focal length	17-50 mm
Focal length 35 mm Eq.	25.5-75mm
Maximum aperture	2,8
Minimum aperture	22
Angle of View	72,4° – 28°
Minimum focus distance	28 cm
Maximum magnification	0,20x
Number of aperture diaphragm blades	7 rounded
Hood type	included
Light Filter Diameter	77
More features	Image stabilizer, FLD glass elements
Dimensions	84 × 91.4 mm
Weight	565 g

A straightforward mid-range zoom with effective optical image stabilization. Note that this isn’t Sigma’s first version of this lens – the previous one lacked a stabilizer and its optical performance was noticeably weaker, so it’s worth paying attention to that when buying a lens. The current version has the same image quality as similar lenses from other giants, and costs significantly less, plus not all competitors can boast of a stabilizer. FLD glass lens element for superior image quality and effective aberration reduction.

Price $440 [IN BEGINNING OF REVIEW]

Sigma 17-70 mm f/2.8-4 DC Macro OS HSM

Bayonet	Sigma SA, Canon EF-S, Nikon F
Image Format	APS-C 23.6×15.6 mm
Lens construction	16 elements in 14 groups
Focal length	17-70mm
Focal length 35mmEq .	25.5-105 mm
Maximum aperture	2,8-4
Minimum aperture	22
Angle of view	80° – 23°
Minimum focusing distance	22 cm
Maximum magnification	0,34x
Number of aperture blades	7 rounded
Hood type	included
Light Filter Diameter	72
Additional features	Image stabilizer, USB dock
Dimensions	79 ×82 mm
Weight	465 g

This zoom is the mid-point in the lineup. Its power, aperture ratio and optical performance are vastly superior to conventional kit zooms, but not as good as prime lenses. But it is considerably lighter and less expensive than pro optics. You can call it a compromise, or you can call it the golden mean. At any rate the lens is comfortable, has a popular range of focal lengths, effective stabilizer, fast and quiet focusing motor and quite sufficient aperture value. Image quality is consistently high at all focal lengths. Was released less than a year ago, which means it is based on the latest technology.

Price $430 [BEGINNING OF REVIEW]

Sigma 18-35 mm f/1.8 DC HSM

Bayonet	Sigma SA, Canon EF-S, Nikon F, Pentax K, Sony A
Image Format	APS-C 23.6×15.6 mm
Lens construction	17 elements in 12 groups
Focal length	18-35mm
Focal length 35mmEq .	27-52.5 mm
Maximum aperture	1,8
Minimum aperture	16
View angle	76,5° – 44°
Minimum focus distance	28 cm
Maximum magnification	0,23x
Number of aperture blades	9 rounded
Type of lens hood	included
Light Filter Diameter	72
Extra features	5 SLD glass elements, USB dock
Dimensions	78 ×121 mm
Weight	811 g

It’s safe to say: This is literally the best lens that’s currently available for APS-C sized cameras. It takes top honors in all competitions and performs well in all tests. Holds the record for the zoom constant aperture of f/1.8. Part of the new Art series, recently launched by Sigma and packed with unique optics. Image quality – sharpness, contrast, color reproduction – is superb, even at fully open apertures a sign of the newest generation of optics . Compatible with another Sigma innovation – a USB dock that allows you to self-calibrate the lens in a special program.

Price $740 [IN BEGINNING OF REVIEW]

Tamron SP AF 10-24 mm f/3.5-4.5 Di-II

Bayonet	Canon EF-S, Nikon F, Pentax K, Sony A
Image format	APS-C 23.6×15.6 mm
Lens design	12 elements in 9 groups
Focal length	10-24 mm
Focal length 35mmEq .	15-36mm
Maximum aperture	3,5-4,5
Minimum aperture	22
Angle of view	108° – 60°
Minimum focus distance	24 cm
Maximum magnification	0,19x
Number of aperture blades	7 rounded
Hood type	included
Light filter diameter	77
Optional features	3 aspherical elements
Dimensions	78.7 ×99 mm
Weight	406 g

The newly developed ultra-wide-angle zoom, part of the proprietary SP series. The modern optical design combined with the use of elements of various grades of special glass provides quite decent images at all focal lengths, especially in the center of the frame, where sharpness reaches high values even at a fully open aperture. Distortion is relatively low for this lens type. Minimum focus distance of only 24 cm throughout the zoom range. The design is based on the focusing micro-motor that allows the focus adjustment to be made quickly and almost silently.

Price $440 [IN BEGINNING OF REVIEW]

Tamron SP AF 17-50 mm f/2.8 XR Di-II VC LD Aspherical IF

Bayonet	Canon EF-S, Nikon F
Image format	APS-C 23.6 x 15.6 mm
Lens construction	19 elements in 14 groups
Focal length	17-50mm
Focal length 35 mmEq .	25.5-75mm
Maximum aperture	2,8
Minimum aperture	32
Angle of view	78° – 31°
Minimum focus distance	29 cm
Maximum magnification	0,20x
Number of aperture blades	7 rounded
Type of hood	included
Light Filter Diameter	72
Optional features	image stabilizer
Dimensions	79,5 ×94 mm
Weight	570 g

A new version of the very popular aperture zoom, which, unlike its predecessor which is still in production and on sale , receives a system of modern and effective optical stabilization. True, the general consensus is that the optically earlier unstabilized version is slightly better especially the newcomer loses in comparison by frame angles at open aperture . However, the new version shows a lower level of chromatic aberration, which greatly enhances the image, and the stabilizer is undoubtedly a great asset. The photographer has a choice: if the presence of the stabilizer is not crucial, you can prefer the old version with impeccable image.

Price $460 [BEGINNING OF REVIEW]

Tokina AT-X 107 AF DX NH Fisheye 10-17 mm f/3.5-4.5

Bayonet	Canon EF-S, Nikon F
Image Format	APS-C 23.6×15.6 mm
Lens design	10 elements in 8 groups
Focal length	10-17 mm
Focal length 35mmEq.	15-25.5 mm
Maximum aperture	3,5-4,5
Minimum aperture	22
Angle of View	180° – 100°
Minimum focus distance	14 cm
Maximum magnification	0,39x
Number of aperture blades	6 rounded
Hood type	built-in
Light Filter Diameter	no
Additional features	LD glass elements, all-weather protection
Dimensions	70 ×70 mm
Weight	349 g

Fish-eye zooms have been in vogue lately: Pentax, Canon which even included it in its deluxe L-series , and now Tokina. This is understandable given the unique artistic potential of the zoom with its variable fisheye effect. This version forms an image that fills the frame completely Tokina also produces another version, identical in design but without a built-in hood – it forms a larger image and can be mounted on full-frame cameras. The front lens has an advanced water-repellent coating for easy lens cleaning.

Price $570 [IN THE BEGINNING OF THE REVIEW]

Tokina AT-X 116 PRO DX-II 11-16 mm f/2.8

Bayonet	Canon EF-S, Nikon F, Sony A
Image format	APS-C 23.6×15.6 mm
Lens construction	13 elements in 11 groups
Focal length	11-16 mm
Focal length 35 mmec.	16.5-24 mm
Maximum aperture	2,8
Minimum aperture	22
Angle of view	104° – 84°
Minimum focus distance	30 cm
Maximum magnification	0,09x
Number of aperture diaphragm blades	9 rounded
Type of hood	included
Diameter of light filter	77
Additional capabilities	LD glass elements
Dimensions	84 × 89.2 mm
Weight	550 g

Ultra wide-angle zooms seem to have become a Tokina specialty lately, and this lens is one of the best examples. Professional zoom with constant aperture f/2.8, well made, with a mass of special elements in the optical scheme is ideal for landscape, interior and art photography, its rugged body can easily withstand long travel and intensive everyday shooting. Compared to the popular previous version, the Nikon F mount version has a focus motor and is now fully compatible with modern Nikon cameras in addition, the lenses have been slightly improved.

Price $590 [IN THE BEGINNING OF THE REVIEW]

Tokina 12-28 mm f/4.0 AT-X Pro DX

Bayonet	Canon EF-S, Nikon F
Image Format	APS-C 23.6×15.6 mm
Lens construction	14 elements in 12 groups
Focal length	12-28 mm
Focal length 35 mm Eq.	18-42 mm
Maximum aperture	4
Minimum aperture	22
Angle of view	99° – 55°
Minimum focus distance	25 cm
Maximum magnification	0,20x
Number of aperture blades	9 rounded
Hood type	included
Light filter diameter	77
Optional capabilities	LD glass elements
Dimensions	84 × 90.2 mm
Weight	530 g

The latest released late last year professional super wide-angle zoom with constant aperture and a slightly shifted to the “normal” range of focal lengths equ. 18-42mm . The image quality is excellent throughout the frame. The lens uses a new optical scheme and employs several ultra-low dispersion lenses, similar in characteristics to fluorite glass. Aberrations are minimal. F/4 aperture ratio isn’t the brightest, but it’s not as critical for ultra-wide-angle optics. The autofocus system uses a special GMR magnetic sensor, which together with the supersonic motor ensures fast and accurate focusing.

The price was $650 [IN THE BEGINNING OF THE REVIEW]