All my photographic wisdom according to Sakharov’s theory fits into several aphoristic phrases and is, undoubtedly, intended for a photographer, but not for a beginner. First we shoot a portrait on a white background. Then on the black… In Igor Sakharov’s teaching method, theory is really the fifth wheel in the cart.
Corkscrew bottle.
Camera: Nikon D4
Lens: AF-S Nikkor 24-70/2.8 G ED IF N
Sensitivity: 4000 ISO
Shutter Speed: 1/250 sec
Aperture: f/4
Exposure correction: -0.67 EV
Focal length: 28 mm
The incomplete outline of the glass.
Camera Nikon D4
Lens: AF-S Nikkor 70-200/2.8 G ED IF VR
Sensitivity: 8000 ISO
Exposure: 1/400 sec
Aperture: f/2.8
Exposure compensation: -0.33 EV
Focal length: 70 mm
Igor Sakharov is one of the best advertising photographers in America, and repeated winner of international competitions in advertising photography.
In 2005 I became the first photographer in America to be awarded the title “Qualified European Advertising Photographer”. That same year, I was chosen as the American face of the Gitzo brand.
He studied and trained in Germany. More than 15 years in the advertising business. He lives in St. Petersburg and works where the client lives.
He speaks of himself this way: “In my profession, I am a craftsman. Every time I shoot, the client stands behind me, and most of the time I get a job based on his sketch. My task is to supply the best possible light, provide technical support and guarantee the end result of the file which will 100% satisfy both designers and clients.
I love my work, to any order I put not only the skill but also the maximum interest. There is no room for relaxation. Every customer expects a miracle from me, and I try to live up to that expectation. It’s not as easy as it may seem.
I give master classes and I believe that it’s impossible to “sit” on your knowledge. You have to share them.”
Igor Sakharov recently held another five-day master class in New York, at Pankovsky Studio. Igor kindly agreed to publish a report about this event in our magazine
He creates right in front of his students. Starts with the model – puts her in front of the camera. If a thing, he fixes it if a person, he fixes it too, but with special commands.
Now he chooses the light that draws it. Why this, and not another, is explained sparingly: “we will shine from above, so that the glass does not glare.”. But in detail about what source we will light: “Lightbar with honeycomb gives a good contrast. “A sheet of milky plastic can replace a lot of expensive light.”.
Read more – fotosky online version of Consumer. Photo&Technique
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I understand that you are inquiring about the content of the “Lessons of Rozov: master class by Igor Sakharov.” However, I would politely request some clarification on your use of the term “bird flies out the wrong way without a negro.” Could you please provide more information or rephrase your question so that I can better understand and assist you?