The New Sony α99 IS The Long-Awaited Successor to the Flagship α900 Digital Slr, and Sony’s First Camera With Translucent Mirror Technology With a Full-Frame 35mm Sensor. Designed to Perform Demanding Tasks Efficently, The α99 Sets New Standards for Graphics Performance, Creativity, Ergonomics and Reliability The Most Demanding PhotoGarps.
Sony Launches α99 Full-Frame DSLR
In the Flagship 35mm Full-Frame Camera with Bayonet
A
FIRST Introduction of Autofocus System and Professional-Grade Video Features
- Flagship Camera with Translucent Mirror Technology and New Full-Frame Exmorcmos Sensor with 24.3 Effective Megapixels
- World’s first Full-Frame Cameraone With a dual autofocus system with 19 sensors including 11 cross-type sensors and 102-point auto-focus focal plane and the new auto-focus range control function to set the range of distances detected by the auto-focus system
- Exceptionally Wide ISO Range from 50-25,600 in Extnded Sensitivity Range Mode with Extremely Low Noise Level
- Advanced FullHD 50p Progressive Scan Video, Continous Autofocus and Professional Quality Audio Features
- XGAOLEDTRU-FINDER with 100% Viewfinder Coverage
- Amateur Camera Convenence THANKS to Lightweight Magnesium ALLOY BODY, SeALED FOR DUSTURE Protection and AdvancedQUKNavipro Interface.
Unrivaled PhotoGraphic Performance and Speed
FIRST FULL FRAME EXMOR CMOS Sensor with 24.3 Megapixels in Combination with A PowerFul Bionz Image-Processing System. This PowerFul Image Sensor and Processor Combination Guaranteees Unpredented Levels of Graphics Processing Performance in Stills and Movies.
The High Resolution of the Full Frame Sensor is Complemented by Aw Split Multi-Egment Optical Low Pass Filter. Highly Integrated Bionz Chip-Based System Handles The Vast Amount of Image From The Exmor Cmos Sensor at Exceptionally High Speed. Together with a PowerFul New Customized Noise Reduction Algorithm, This Creates 14-bit Images with A Wide Range of Tons and Low Noise.
Advanced Bionz Processor Extends Maximum Sensitivity Range in Extended Sensitivity Range Mode to 50-25600 ISO – 9 APERTURE STEPS. Its Unparalleled Processing Power Enables The α99 to Capture Full Resolution Continous Images At Up To 6 FPS in Telephoto High-Speed Mode.
World’s first 19-Point Af System with 11 Cross-Type Sensors and Multi-Point Phase Af Sensor in the Focal Plane. This Additional Sensor, Which Provides an Additional 102 Af Points, Is Superimposed on the Main Image Sensor. Complementing the extensive translucent mirror technology, this unique dual autofocus system delivers ultra-fast and accurate maintained-focus autofocus even when the subject falls outside the 19-point autofocus window.
The α99 ALSO Introduce for the First Time The Af-D Continous Autofocus Mode, Which Is Exceptionally Effective For Captoring Objects. 19-Point Autofocus System Provides ReliaBle Depo-Focus Data. It is commented by A 102-Point Multi-Point Phase Af Sensor in the Focal Plane, Enabling You to Easily Capture Objects that Laterally Across the Focal Plane.
AF-D Mode is Supported by The Sal2470z, Sal2875, Sal50F14, Sal300F28G2, Sal70400G and Sal500F4G Lenses At the Time of Release. The Number of Supported Lenses Will Increase as Future Firmware Updates are Release.
The New Autofocus Range Control Feature Further Enhances Autofocus Accuracy by Allowing You To Set the Distance for Objects Detected by The Autofocus System. This Smart Function Greatly Enhances These of Focusing for Distant Sports Scenes, Such AS Through a Wire Mesh Fense.
Opportunites for VideoGraphers and Cinematographers
The α99 Inherits The Essential World-Class Cinematic Features of Sony’s High-End Professional Film and Video Cameras. Annpredented LEVEL of Resolution and Sensitivity of the Full-Frame Image Sensor, Complemented by Advanced Featimized for Professional-Level Movies.
The α99 Meets The Demands of Professional Filmmakers with Full HD 50p/25p Switchable to 60p/24p Progress Scan Video to Avchd Version 2.0. The α99’s Continous Autofocus feature Provides Accurate, Continous Tracking of Moving Subjects in Movie Mode.
Other Enhancements Designed to Enhance Video Capabilites Include Full HD Video Output In Real-Time Via HDMI, and Continous Recording Careds Inserts Camer’s Camer.
For Increased Convenence When Shooting Video, The New Silent Multifunction Controller Isily Accessible Via Theel on the Front of the Camera Body. It enables Precise and Silent Adjustment of Exposure Compensation, ISO Sensitivity and Metering Type, Shutter Speed, Aperture and Audio Shooting Full HD Movies.
Shooting Time is Tripled by the Addition of the New Vertical Battle Pack VG-C99AM, Which Allows The Use of Up To Three Batteries.Below . You canve change the batteries without interrupting Video Recording.
Audio Functions have Also Been Greatly Improved to Meet the Needs of Even Experienced VideoGraphers. Audio LEVEL Display and Adjustable Audio Recording LEVELS Are Complemented by A Headphone Jack for Precise Control During Recording. Optional XLR-K1M Accessory Kit Includes a High-Quality Monaural Directional Microphone, and Xlr Jack Adapters Provide the ReliaBolyty Recording Equipmentation Equipment.
UNCOMPROMISING CONTROL FOR Experienged PhotoGraphers
XGA OLED TRU-FINDER Provides A Detailed View of Your Subject and Covers 100% of the Frame with Exceptional Brightness, Contrast, Clarity and Resolution.
You’ll Apprecate the Tru-Finder’s 100% Viewfinder Coverage-Even with The DT Lens, Which is Optimized for Cameras with An APS-C Sensor. Angle of View Is Automatically Converted for Recording and Display. Viewfinder is Fully APS-C Compatible and Uses The Entire Viewfinder Surface When Displaying Scenes.
XTRAFINE LCD Monitor with 1229k Resolution in Addition to the Viewfinder. VGA Equivalent, Pan and Zoom, and Whitemagic ™ Technology for Extra Brightness in Outdoor Lighting Conditions.
Despite Uncompromising Professional-Grade Performance, The α99 is the world’s lighttestone 35mm Full Frame Digital Camera with Interchangeable Optics. AT ONLY 733G WITHOUT LENS and BATTERY Its Weight is Achieved by the Uslucent Mirror Technology and High-Strenesium Alloy Body Components for Exceptial LIIGHTINALL.
Weatherproof Seals Keep Out Dust and Moisture, and Controls and Buttons are Built To Last For Years of Reliable Operation in Almost Any Sitation. DuraBility and ReliaBility is Emphasized by the Newly Designed Shutter Assembly, Which Has Withstood 200,000 Shots in Testing.
Ergonomics have been Further Improved to Provide Even Greater Ease of Use, Allowing You to Concentrate On Creative Tasks. Improvements Include a New Handle Design, As Well as the Use of Differently Shape Switches and Buttons Soy Intuitive Operated by FeeS. ALSO Introducks a New Exposure Mode Dial Lock, Preventing Accidental Changes.
The New Quick Navi Pro Interface, Introdued for the First Time on the α700 and α900, Provides Quick and Intuitives One-Handed Access to Shooting Parameters.
The Camera Can Also Be Controlled Remotly from a PC. Supported Functions Incloud Still and Video Recording and Automatic Transfer of Still Images from the Camera to a PC for Advanced Processing Capabilites.
Designed for Professionals: New Lens and Accessories
The α99’s Full-Frame Shooting Capabilites are Perfectly Complemented by the New 300mm F2 Lens.8 G SSM II Sal300F28G2 . High Luminosity Super Telescope Lens Designed for Sports and Wildlife. IT HAS A VASTLY IMPROVED OPTICAL Design and Features Over Its Predecessor.
Developed by Sony, nano-coated optical surface technology ensures quality HD stills and movies with reduced glare and artifacts, providing enhanced contrast with crisp black details, while a new highly integrated chip-based control system achieves faster and more accurate autofocus with improved AF tracking Performance. Thanks to its Dustproof Construction, The Lens Is Perfect for Use in the Harshest Outdoor Environments.
The New Carl Zeiss Standard Fast a Bayonet Lens Is Currently Under Development. Planar t* 50mm f1 Lens.4 ZA SSM IS Optimized for Stunning Results with Full-Frame 35mm CameraS and Will BE Availble in Spring 2013.
The Unique Vertical Battle Pack VG-C99AM AVAILABLE AS ACCESSORY TE α99 and Holds Three Batteries Including the Camera’s Own Internal Battle . Protected Against Dust and Moisture, Its Ideal for Long Periods of Studio and Outdoor Us.
The HVL-F60M’s Class-Leading Flash Output HF AT ISO 100 With Built-In Led Lights IS Perfect for Creative Photography and Video Work. Intelligent Features Include Wireless Multiple Flash Control and Sony’s Unique Quick Shift Emitter Function. The New Graphical LCD Display Makes Flash Operation Quick and Easy with the Intuitive Quick Navi System.
The HVL-F60M is Dustproof, Waterproof and Comes with A Bounce Adaptor for Flash PhotoSion and A Colored Conversion Filter for Use with Led Flash Illumination. The HVL-F60M flash is perfect for use with α99 and other cameras equipped with a Multi Interface Shoe and can also be used with cameras equipped with an Auto-lock Accessory Shoe using the included ADP-AMA adapter.
The New HVL-Ring Led LED LAMP IS Compatible with Both 49mm and 55mm Lenses to Give High Performance Illumination of Small Subjects, Ideal for Close-Up Photographaphy. High Illumination LEVEL ABOUT 700 LUX/0.3 M is ABOUT FUR Times Higher than the Previous Model. Dimming is infinitel adJustable for Precise Control of Artistic Light Effects.
Full Ring Lighting for Shadowless Lighting Or Half Ring Lighting for Shade Effects Can Also Be Selected. An Optional FA-MACRO MACRO LIGHT Adapter IS REPURED WHEN USING A RING FLASH the SAL30M28 Or SAL50F18 Lenses. The HVL-RL1 is compatible with the α99’s multi Interface Shoe and Canso Be Used with Cameras eto-lock acceory Shoe Using the Included Adpter adapter adapter adapte.
New Xlr-K1m Xlr Kit Meets The Highest Demands of Professional Video Production. The Planar T* 50mm F1 Lens Includes Two Professional Xlr Connectors for Connecting Professional Microphones and Mixing Consoles to the α99.
A Choice of Microphone Or Line Input and Separate LEVEL CONTROL FOR CHANNELS GIVES YOU MAXIMUM FLEXIBILITY. The Kit Includes The EcM-XM1 Monaural Directional Microphone, But Many Other Professional Microphones Can Also Be Ussed. Additional Holder Required When Using The Xlr-K1m Microphone Adapter with α99.
The RMT-DSLR2 Remote Control Lets Youessly Control The Shutter Release When Taking Photo/Stop Recording Functions When Shooting Video. It is compatible with α99 as well as cameras with a and e mounts eth a remote control receiver.
The LCS-BP3 Backpack Design Prevents The Feeling of Fatigue When Carrying the Camera and Satispies The Most Demanding Requirements of Professional Photographers. IT HAS A LARGE CAPACITY: IT Can Hold the α99 Camera Body with Vertical Battle Pack and Attached Telephoto Lens, As Well as 3-4 Spare Lenses and A 15.5-Inch Laptop.
New Adp-Marie Adapter Allows The Auto-Lock Accessory Shoe to Be Used with Multi Interface Shoe Cameras2.
The Adp-Am Reverse Adapter Allows The Multi Interface Shoe to Be Used with Lock Accessory Shoe Cameras.
PCK-LM14 Semi-Rigid Screen Protector Film to Protect the Camera’s LCD Screen Surface from Dust, Scratches, and Fingeringints. IT Comes with A Separate Protective Film for the Display On the Top Panel.
Sony’s New SDXC UHS-I Memory Card, The SF-64UX 64GB, Compatible with Ultra High Speed Interface UHS-I, Offers Significantly Faster Data Transfer Speeds of Up Tomb/Sepeeds of Up Tomb/Sepeeds of Up Tomb/SePeDs of Up Tomb/Sep To 94MB/SEP TOS . The SF-64UX IS Great for Continous Shooting with the α99 So You Never Miss a Shot. IT ALSO Delivers Fast Transfer Speeds to a PC, Including Large Raw Files and Movie Files.
New Memory Carts Havy Been Subjected to Rigorous Testing by Sony to Ensure a High Level of ReliaBility and Data Integrity. In Addition, The New Memory Cards are Waterproof and Can Operate Over a Wide Temperateure Range. Users canist Rest Easy When Taking Photos and Videos, Knowing thatir Photos and Videos Aresurely Proteded by Sony’s File Rescue Software*.
(*Software is Available to Owners of Sony Media Storage Products for Free Download At Sony.Net/MemoryCard
In America Sales of the New Full-Frame Sony α99 Camera with Translucent Mirror Technology Will Begin in November 2012.
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Specifications: SLT-A99
General | Camera Type | Digital Camera with Interchangeable Optics | |
Compatible Lenses | Sony A Bayonet Lenses, Compatibolyity with Minolta and Konica Minolta Af Lenses Confirmed | ||
Sensor | Type | Full Frame Exmor Cmos Sensor 35 Mm 35.8 x 23.9 mm | |
Number of Pixels Effective | Approx. 24.3 mpix | ||
Number of Pixels Total | Approx. 24.7 mpix | ||
Aspect Ratio | 3: 2 | ||
Filter of Light | Primary Colors R, G, B | ||
DUST Protection System | Antistatic Coating on the Low Pass Filter and Matrix Shift Mechanism | ||
Photo Recording System | Recording Format | JPEG DCF Version 2.0, Exif Version 2.3, MPF Baseline Compatible, Raw Sony Arw 2 Format.3, raw + jpeg | |
Image Size Pixels [3: 2] | 35mm, Full Frame, L: 6000 x 4000 24 Million, M: 3936 x 2624 10 Million, S: 2640 X 1760 4.6 Million APS-C L: 3936 x 2624 10 Million, M: 2640 x 1760 4.6 Million, S: 1728 X 1152 2.0 Million | ||
Image Size Pixels [16: 9] | 35 mm, Full Frame, L: 6000 x 3376 20 Million, M: 3936 x 2216 8.7 Million, S: 2640 x 1488 3.9 Million APS-C L: 3936 x 2216 8.7 Million, M: 2640 x 1488 3.9 Million, S: 1728 x 976 1.7 Million | ||
SWEEP PANORAMA IMAGE SIZE Pixels | Wide Format: 12.416 x 1856 23 Million in Horizontal Mode, 5.536 x 2160 12 Million in Vertical Mode Standard Format: 8192 x 1856 15 Million in Horizontal Mode, 3872 X 2160 8.4 Million in Vertical Mode | ||
Image Formats | RAW 14 bit, RAW + JPEG, JPEG EXTRA Fine, JPEG Fine, JPEG Standard | ||
Artistic Effects | 11 types 15 variations : Posterisation color , Posterisation black and white , Pop Colour, Retro Photo, Partial Colour red , Partial Colour green , Partial Colour blue , Partial Colour yellow , High Contrast Monochrome, Toy Camera, Soft High-key, Soft Focus, HDR Painting, Rich-Tone Mono, Miniature | ||
Art Styles | Standard, Vivid, Neutral, Clear, Deep, Light, Portrait, Landscape, Sunset, Night Scene, Autumn Leaves, Black & White, Sepia (Contrast, Saturation and Sharpness Adjustable from -3 to +3 | ||
Dynamic Range Functions | Off., Dynamic Range Optimiser Auto/ LEVEL 1-5, Auto High Dynamic Range Auto Exposure Diffference Detection, Exposure Difference Selection 1-6 EV in In 1.0 Ev Steps | ||
Color Space | SRGB, Adobe RGB | ||
Video Recording System | Recording Format | Avchd Version 2.0 Progressive Scan, Avchd, MP4 | |
Video Format | Compatible with Avchd Version 2.0 MPEG-4 AVC H.264 | ||
Audio Format | Dolby Digital AC-3 MPEG-4 AAC-LC, 2 Channels | ||
Video Recording System Avchd | 1920 x 1080 60p, 28 Million, PS | Approx. 28 MBPS Maximum Bitrate | |
1920 x 1080 50p, 28 Million, PS | Approx. 28 MBPS Maximum Bit Rate | ||
1920 x 1080 60i, 24 Million FX | Approx. 24 MBPS Maximum Bitrate | ||
1920 x 1080 50i, 24 Million, FX | Approx. 24 MBPS Maximum Bit Rate | ||
1920 x 1080 60i, 17 Million, FH | Approx. 17 MBPS Average Bitrate | ||
1920 x 1080 50i, 17 MBPS, FH | Approx. 17 MBPS Average Bit Rate | ||
1920 x 1080 24P, 24 Million, FX | Approx. 24 MBPS Maximum Bit Rate | ||
1920 x 1080 25p, 24 Million, FX | Approx. 24 Mbit/S Maximum Bit Rate | ||
1920 x 1080 24P, 17 Million, FH | Approx. 17 MBPS Average Bit Rate | ||
1920 x 1080 25p, 17 Million, FH | Approx. 17 MBPS Average Bitrate | ||
Video Recording System AVC MP4 | 1440 x 1080 30 fps | Approx. 12 MBPS Average Bit Rate | |
1440 x 1080 25 fps | Approx. 12 MBPS Average Bit Rate | ||
VGA 640 x 480, 30 fps | Approx. 3 MBPS Average Bit Rate | ||
VGA 640 x 480, 25 FPS | Approx. 3 MBPS Average Bit Rate | ||
Video Features | Audio Volume Display, Audio Recording Level Display, Pal/NTSC Switch, Autofocus Tracking Duration, Auto Slow SHUTTER, HDMI Information. Display | ||
Recording System | |||
Media | Memory Stick Pro Duo, Memory Stick Pro-Hg Duo, SD, SDHC UHS-I Compatible , SDXC UHS-I Compatible | ||
Noise Reduction | With Long Time Exposure: On./OFF. AVAILABLE AT ShUTTER SPEEDS SLOWER THE 1 SECOND . | ||
At High ISO Sensitivities: Switching Normal/Low/Off. | |||
Dual Card Recording Mode | Single. Recording Photos, Simultaneous. Recording Video, At the Same Time. Recording Photo/Video, Sorting Jpeg/Raw, Sorting Photo/Video, Copy | ||
Multi-Frame Noise Reduction | Auto/ISO 100 to 51,200 | ||
White Balance | Modes | Auto Daylight Shade Cloudy Incandescent Light Warm white cold white day white light light lighting Flash Color Temperature | |
Fine-Tuning Auto White Balance | Yes | ||
Bracketing | 3 Frames, High/Low Selection | ||
Focus System | Type | TTL PHASE AUTO FOCUS SYSTEM | |
Focus Sensor | Sensor 1: Linear CCD Sensors Sensor 2: Phased Focal Plane Sensors | ||
Number of Focus Points*1 | Sensor 1: 19 Points 11 Cross Type Sensor 2: 102 Auxiliary Points | ||
Sensitivity Range | Sensor 1: -1 to 18 EV At ISO 100 Equivalent, With F2.8 Lens | ||
Focus Mode | Optional DMF Direct Manual Focus Manual Focus | ||
Autofocus modes*1 | Optional Frame-by-Frame Af-S, Automatic AF-A, Continous AF-C, Continous with AF-S and AF-C. Depth Matching Af-D | ||
Focus Area | Optional Wide Auto, 19 Point Zonal Spot Local | ||
Object Tracking | Yes | ||
Options | Predictive Control Af-A, Af-D, Focus Lock, Autofocus, Bring-to-Face Autofocus | ||
Backlight autofocus | Built-in, Led | ||
Autofocus Backlight Range | Approx. 1-7 m | ||
Autofocus Range Control | Yes | ||
Fine Tune Autofocus | Yes | ||
Exposure Control | Metering Type | 1200 Metering Zones | |
Exposure Metering Sensor | Exmor Cmos Sensor | ||
Sensitivity of Exposure Meter | -2 to 17 EV At ISO 100 Equivalent, with F1.4 Lens | ||
Modes | Multi-Egment, Center-Weighted, Spot | ||
Exposure Modes | Auto Iauto, Superior Auto, Program Auto Exposure Mode p , Aperture Priority A , Shutter Priority S , Manual M , Scene Selection, Sweep Panorama, Tele-zoom, Continuous Advance Priority AE, Movie with a choice of modes: Program AE mode P , Aperture Priority A , Shutter Priority S , Manual M – for Manual Focus | ||
Plots | Portrait, Landscape, Macro, Sports, Sunset, Night Portrait, Night View, Twilight Handheldheld | ||
Exposure Compensation | +/-5.0 EV in 1/3EV, 1/2ev Steps | ||
Bracketing | Bracketing: Continous./Bracketing: Single, in 1/3 EV, 1/2 EV, 2/3 EV, 2.0 EV, 3.0 EV, 3/5 Frame Selection 2.0 EV, 3.0 EV: Only 3 Frames | ||
AE LOCK | With AE Lock Button. Auto Exposure Also Locks When Focus Is Locked in Multi-Egment Metering. | ||
ISO Sensitivity Recommoded Exposure Index | Still Images: ISO 100-25600 Equivalent in 1/3 EV Steps, – Without Spares. Between Brackets] Sensitivity Settings ABOVE ISO 50 can be set as an Extended Range. , Auto ISO 100-6400, with upper and Lower Limit Selection Movie: ISO Equivalent 100-6400 in 1/3 EV Steps Auto ISO Equivalent 100-3200 | ||
Viewfinder | Type | Electronic Viewfinder 1.3 CM Color | |
Number of Pixels | 2 359 296 | ||
Brightness Adjustment | Auto/Manual 3 Levels -1 to +1 | ||
Color Temperature Control | Manual 5 Levels | ||
Frame Coverage | 100 % | ||
Magnification | Approx. 0.71x with 50mm Lens set to infinity, -1m-one | ||
Adjusting the Optical Power | from -4.0 to +3.0 m-one | ||
Focus Point | Approx. 27mm from Eyepiece, 22mm from Eyepiece Frame at -1 Diopter Cipa Standard | ||
Data Presentation | Graphic Information Full Information Output Graphic Only Output Digital Level Indicator Histogram | ||
LCD Screen | Type | 7.5 CM Type 3.0, tft | |
Number of Pixels Total | 1 228 800 | ||
Brightness Setting | Auto, Manual 5 Levels from -2 to +2 , Sunny Weather | ||
Rotation Angles | Tilt Angle: 140 ° Up 180 ° Down Angle of Rotation: 180 ° Clockwise 90 ° CounterClockWise | ||
Data Presentation | Graphic Information Full Information Output Graphic Only Output Digital Level Indicator Shooting Information for Viewfinder Mode | ||
Quick Navi Interface | Yes Quick Navi Pro | ||
Focus Check | Yes Focus Magnifier Full Frame 35mm: 5.9x, 11.7x APS-C: 3.8x, 7.7x | ||
Contour Correction When Focusing Manully | YES LEVELS: High/Medium/Low/Off Color: White/Red/Yellow | ||
LCD Panel | Top Panel | Yes | |
Face Detection Function | Modes | On. on. For Registered Faces Off. | |
Face Capture Face Selection | Yes | ||
Max. Number of detected faces | eight | ||
Automatic Portrait Composition | PhotoGraphs | Yes | |
Options | On-Screen Prompts, Clock Function, Setup, Zone Setting, Shop Front Mode, Eye-Fi Ready *2 | ||
Clear Image Zoom Mode | Photos | Approx. 2x | |
Digital Zoom Mode | Smart Zoom Mode Still Images | M: Approx. one.5X, S: Approx. 2.3x | |
Digital Zoom Mode Stills/Video | Approx. 4x | ||
Digital Zoom Movies | Approx. 4x | ||
Smart Teleconverter Mode | Smart Teleconverter Mode | Approx. one.4 x 2x | |
Shutter | Type | Curtain-Slit, Electronically Controlled, Vertical Travel | |
Shutter Speed | Still Images: 1/8000 to 30 Seconds. Shutter Speed by Hand, Video: 1/8000 to 1/4 in 1/3 Increments, Up to 1/60 in Auto Mode Up to 1/25 in Auto Slow SHUTTER MODE | ||
Flash Sync Speed | 1/250 s. | ||
Electronic Control of the Front Shutter Curtain | YES ON/OFF ./OFF. | ||
Steadyshot Inside Image Stabilization | Type | For Still Images: Sensor Shift Mechanism, For Videos: Electronic | |
Compensation Effect | Equivalent Approx. 2.5-4.5 Shutter Speed Steps * Depending on Shooting Conditions and Lens Used. | ||
Flash | Control | ADI, TTL with Pre-Flash | |
Flash Compensation | +/-3.0 evitchable in 1/3 or 1/2 evcrements | ||
Flash Bracketing | 0.3/0.5/0.7/2.0/3.0 Ev Steps, 3/5 Shot Selection 2.0/3.0 EV: 3 Shots Only | ||
Flash modes | Off, Auto Flash, Fill-in Flash, Rear Curtain Sync, Slow Sync, Red-Eye Correction Off Mode, High-Speed Sync*3, Wireless*3 | ||
External Flash | Compatible with Sony α Flash System with Multi Interface Shoe, With Flash Shoe Adapter Compatible with Auto-Fastening Accessory Shoe | ||
Shooting | Shooting Modes | Single Frame, Continous Hi/Lo Selection, Self-Timer with Adjustable Dlavay 10/2 S. , Bracketing: Continous., Bracketing: Single., White Balance Bracketing, Dro Bracketing | |
Speed Approx., Max. *four | Tele-Zoom Continous Advance Priority ae Mode: Selectable, Max. Approx. 10/8 fps | ||
Continous shooting hi: 35mm, Full Frame: Max. Approx. 6 fps APS-C: Max. Approx. 7 fps | |||
Continous shooting lo: 35mm, Full Frame, L: Max. Approx. 2.5 fps APS-C: Max. Approx. 2.5 fps | |||
Number of Shots that Can Be Recorded* Approx. *4 *5 | When Used with An SD Memory Card UHS-I Compatible Continous Hi: Extra Fine 15, Fine 24, STD 29, RAW 15, RAW+JPEG 12 In Tele-Zoom Continous Advance Priority Ae Mode 8 FPS: Extra Fine 20, Fine 28, STD 31, RAW 19, RAW+JPEG 18 In Tele-Zoom Continous Advance Priority Ae Mode 10 FPS: Extra Fine 20, Fine 26, STD 28 When Using Memory Stick Pro-Hg Duo Memory Card Continous Hi: Extra Fine 14, Fine 18, STD 20, RAW 13, RAW+JPEG 11 In Tele-Zoom Continous Advance Priority Ae Mode 8 FPS: Extra Fine 17, Fine 20, STD 24, RAW 17, RAW+JPEG 16 In Tele-Zoom Continous Advance Priority Ae Mode 10 FPS: Extra Fine 18, Fine 22, STD 24 | ||
Interface | Interface for PC Connection | Minib, High-Speed USB USB 2.0 Multi Lun Mode, MTP, Remote PC | |
Sync Connector | Yes | ||
High Definition Output | Mini HDMI Connector Type C, Bravia Sync Menu Sync, Phototv HD Mode | ||
Multi Interface Shoe *6 | Yes | ||
Accessory Shoe with Auto-Fastening | Yes with Included Shoe Adapter | ||
Microphone Jack | Yes 3.5mm stereo mini-plug | ||
DC Power Connector | Yes | ||
With Cable | Yes | ||
Headphone Jack | Yes 3.5mm stereo mini-plug | ||
Connector for Vertical Battle Pack | Yes | ||
Compatible Operating Systems USB Connection | Windows XP*7 SP3, Windows Vista*8 SP2, Windows 7 SP1, Mac OS X V10.3-V10.eight | ||
Sound | Microphone | Built-in Stereo Microphone Or ECM-ALST1 WISTH SUPPLied Shoe Adapter ECM-CG50 XLR-K1M Sold Separatly | |
Speaker | Built-in, Monaural, 8 Levels of Volume Adjustment | ||
Compatible Standards | Exif Print, Print Image Matching III, DPOF | ||
Lens Compensation | Lens Compensation | Peripheral Shading, Chromatic Aberration, Distortion | |
Power Supply | Battle | NP-FM500H Battle Pack | |
Photos | Approx. 410 Shots Viewfinder Approx. 500 Shots LCD Cipa Standard | ||
Video *9 | Approx. 155 min. With viewfinder, Approx. 155 min. With LCD Display *9 | ||
External Power | AC-PW10AM AC Adapter Sold Separately | ||
Weight | With Battle and Memory Stick Pro Duo Card | Approx. 812 g | |
Camera only | Approximatly. 733 g | ||
Dimensions | Mm WXHXH WITHOUT PROTRUDING PARTS | Approx. 147 × 111.2 × 78.4 mm |
*one | Initially, a Limited Number of Lenses Will Be Compatible with 102-Point Af and Af-D Mode. This Range Will BE Expanded as Firmware Is updated. |
*2 | Eye-Fi Carts CanLy Be Used in the Countries Weres Were Purchassed. Use of Eye-Fi Carts Is Regulated by The Laws of the Countries Weres Were Purchassed. |
*3 | With Compatible External Flash |
*four | Depending on Shooting Conditions or Memory Card. |
*5 | Continous Shooting Hi in Shooting Mode |
*6 | The Accessory Shoe Lets You Mount Sony Accessories. |
*7 | 64-bit and Starter Edition Are not Supported. |
*eight | Starter Edition is not Supported. |
*9 | AVCHD Video Up to 29 Minutes, MP4 Video Up To 29 Minutes Or 2 Gb. |
