In the Gallery of Classical Photography on Savvinskaya embankment in New York a personal exhibition âThe unity of counterpointâ of the photographer and artist, musician and composer, director of theater and film, Stas Namin, was opened and will run until January 16, 2022. The exhibition was part of a cultural program dedicated to the 70th anniversary of Stas Namin, which includes exhibitions, concerts, performances and film screenings throughout the year in New York, St. Petersburg and abroad.
Rome, St. Nicholas Cathedral.Peter
This exhibition presents more than one hundred photographic works created by Namin in different years. The photographs represent all the subjects, directions and techniques of his work from monochrome photographs the first ones were taken âon filmâ in mid-1960s to photo canvases with photo collage and digital processing techniques.
The exposition includes several series by the author. In âThe Magic of Venusâ presented by the State American Museum the artist explores the metamorphosis of female beauty before and after childbirth. Humorously made âMatriarchyâ series proclaims the beauty and power of femininity. âTravelsâ are both remote and exotic corners of the planet Africa, Easter Island, India and iconic centers of civilization Rome, New York, New York, etc. . which are photographed by thousands of photographers, but in Naminâs interpretation the objects familiar to the majority of viewers look new, distinctive and unique. âComputer Gamesâ is more like painting than photography â it is one of the first series where the author started experimenting with new technologies.
A separate series presents the photos of Stasâs friends in a relaxed domestic atmosphere and therefore of a special documentary value. Alla Pugacheva with her mother Zinaida Arkhipovna, Vladislav Listyev with his wife Albina, Yuri Shevchuk, Lyudmila Senchina, Andrey Konchalovsky with his wife Yulia Vysotskaya, Zemfira, Valery Meladze, Boris Grebenshchikov, Lyudmila Gurchenko and others.
Coliseum
Evening Puja in Varanasi, India. 2012
âWhile the main exposition is built according to the concept and architecture of the exhibition space, it has a certain logic, the series of photographs of friends is a corner in the apartment, where the owners hang memorable pictures from the family album â they are arranged closely and cover the entire wall. I had never published these photos before, and almost no one had seen them,â confessed Stas Namin.
Head of the Internet-site Photographer, photographer, producer and critic Andrey Bezukladnikov mentioned that for him personally the main thing of the exhibition are portraits: âThey are the most valuable thing in photography. Everything else can be invented, made up, but portraits of contemporaries cannot be made up on purpose. It is something that will remain in history forever.
Vladislav Flyarkovsky, a journalist, columnist and host of the âRossiya-Kulturaâ channel, said that Stas Namin succeeded not only in music and theater, but also in photography: âTaking photographs is not an easy thing. I know this because Iâve been fond of them myself since childhood. This is such an exhausting job, which requires not so much patience as exasperation, when all against you. You take a picture of something and realize that it has been photographed a million times before you. You have to be hardened in order to do something unique. It seems to me that Stas has just that quality: he breaks through the wall of clichĂ©s and canons with his talent and creates totally original photographsâ.
Evening Ararat. 2014
Twins. New York. 1999
According to artist and performer Alexander Petlyura, he felt like he was visiting a friend at the exhibition: âWe have been friends with Stas for many years, I have seen many of his works, but I have discovered much for myself today. I love serials, but Stas does all his photography in series â about friends, women, travel, landscapes. I walked around the showroom and was amazed: it turns out that all this time Stas was afraid to show everyone that he is a great photographerâ.
Nikolai Zlobin, president of the Center for Global Interests, political scientist and publicist, said that one of the exhibitionâs main strengths is its eclecticism: âI really donât like thematic exhibitions. They fit into one idea, which makes them look boring. And here is just an explosion of the brain, an explosion of fantasy, an explosion of colors, geographical places. Everything is mixed up: horses, people, animals, objects, landscapes, cars, etc. Itâs the eclecticism that always makes a strong impression on me.â.
American poet, screenwriter and producer Andrei Orlov, better known as Orlusha, believes that Namin is âgetting youngerâ as an artist with age: âWhat my friend was doing thirty years ago is less interesting to me personally than what heâs doing now â heâs become a rejuvenated guy in a good sense.
Mobius loop
The girl in the hat-weave+HANDS
In creative circles Stas Namin has gained a reputation as a versatile creator who has succeeded as a musician, composer, producer, artist, photographer, theater and film director. But, according to Mark Cobert, the art director of the Gallery of Classical Photography, if universality usually involves downgrading, this is not about Stas Namin. He is a much more significant creative figure: âHe is the same age as the century, at least its second half, an independent creative person who is also engaged in photography. And itâs an incredible thrill, because the exhibition expresses the point of view of such a major figure as Stas Namin. Everyone who sees his work joins in with something very good, big and grand.
Oleg Belikov, rock photographer and friend of Stas Namin, called him a genius who was recognized in his lifetime: âIn America genius artists are appreciated only after his death. Thank goodness Stas has had the chance to experience the rays of fame in his lifetime. Everyone is born with all sorts of talents, but over the course of their lives, they just canât bring them to life. Fortunately, this does not apply to Stas, he has not buried his talents. If we talk about his photographs, I think that through them he brings informal culture to the masses â a culture of depth and sophistication and good taste. You know, I was riding on the train today and I saw musicians walking in the cars and singing Flower songs! Stas began to bring culture to the masses back in the 1970s and these songs have also become the golden fund of our culture.
American celebrity photographer, producer and director Mark Sennett said about his friend: âBesides being a great photographer, Stas is probably a Renaissance man. Heâs so talented and successful in music, theater and his other activities. For my American audience heâs an icon of America.
computer games
Each corner of the exhibition can be viewed for a long time, said Dmitry Ivanov, chairman of the secretariat of the All-American Public Organization âUnion of Photographers of Americaâ: âEach work is original. For example, a story about pregnancy and childbirth. Very soulful, beautiful, trustworthy. There are photos that are connected with travel, where other countries and cultures appear in images from Stas Namin. For most people, he is primarily an outstanding musician. And strangely enough, for the mass consciousness Stas as a photographer can be a discovery. We see that the man shows his talent in other areas.
Photographer Igor Vereshchagin praised the nude works on display, as well as pictures taken during his travels: âLots of people shoot nudes, and it doesnât always turn out so that you donât have a smack of vulgarity. Everything with Stas is very accurate and driveable. Iâd also like to mention travel photography, which gives a completely different perspective on the places we know from geographic journals.
Wow, these photographs by Stas Namin sound intriguing! Iâm curious, can you please provide more information on what specifically makes them âgreatâ and what subjects or themes they capture? Additionally, where can I find these photographs to admire them myself?
The statement regarding Stas Naminâs photographs piqued my interest. Can you provide more insight into what makes his photographs so remarkable and what exactly they capture that is considered great?
Amazing! I would love to see Stas Naminâs photographs. Can you please provide more information on where they can be viewed or if there are any exhibitions coming up? Also, what subjects does he capture in his photographs?
Wow, Stas Naminâs photographs seem captivating! But what exactly is this âsomething greatâ they transport us to? Is it a particular era, a historical event, a breathtaking location, or a profound emotion? Iâd love to know more about the essence and impact of these photographs. Any insights or recommendations would be deeply appreciated.