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Sony VPL-HW40ES projector visual test: a slide show as the measure of truth

ā€“ REVIEW ā€“ MEASUREMENT TEST

There are situations when you need to evaluate quality of a device monitor, projector or TV , but you have no colorimeter or spectrophotometer at hand. In these situations, I prefer to evaluate image quality visually, by real-world examples ā€“ and photos are the best way to do that. Thatā€™s why I have a folder on my notebook computerā€™s desktop with reference pictures which I know inside out in great detail.

I must say I did not see much difference between the budget projector for 30 thousand Dollars and the one for 100 thousand Dollars, despite all the smart innovations. Photography buffs, print professionals and image aficionados all know that itā€™s hard to get legible shadows and un-embossed highlights on projectors. But how did I get it wrong?! The slide show on the projector looked perfect!

For the visual evaluation of the Sony VPL-HW40ES, I chose the Sample mode, which is not biased for image adjustments. We chose a very simple method for subjective testing: we turned off the lights, turned on the projector and flipped through the exquisite photos on the big screen. Hereā€™s what we saw.

Sony

Device: Nikon D7000. Lens: 11-16mm f/2.8G. Focal Length: 11 mm. Focus Mode: Manual.

Exposure

Aperture

: f/2.8. Shutter Speed: 30 sec. Exposure Mode: Manual. Metering: Matrix. ISO Sensitivity: ISO 100.

I use the first image to test shadows. What makes this image unique is that it consists of shadows the dark part of the histogram and that these shadows are very different in color. The sand is slightly yellowish, the rocks are grayish green, the algae on them are brown, etc.d.

That way I should see not only the gradation of shadows in light, but also in color. The projector we tested was more than adequate. I can definitely say that the image on the IPS matrix of my notebook ASUS UX31A is not any better than on a projector.

Sony

Device: Nikon D7000. Lens: 11-16mm f/2.8G. Focal Length: 11 mm. Focus Mode: AF-S. AF-Area Mode: Single.

Exposure

Aperture

: f/10. Shutter Speed: 1/2.5 sec. Exposure Mode: Aperture Priority. Exposure Comp.: +1.0EV. Metering: Matrix. ISO Sensitivity: ISO 100.

In this picture, I am still evaluating shadows, but no longer in the I, but in the II quarter of the histogram. And at the same time I start looking at colors, I know for a fact that there are no highlights on clouds and streams. If I can see them in the image, it means that the colors are not displayed correctly.

Sony

Device: Nikon D7000. Lens: VR 105mm f/2.8G. Focal Length: 105 mm. Focus Mode: AF-C. AF-Area Mode: Single. VR: ON.

Exposure

Aperture

: f/11. Shutter Speed: 1/60 sec. Exposure Mode: Aperture Priority. Exposure Comp: +1.0EV. Metering: Matrix. ISO Sensitivity: ISO 100.

Together with the butterfly I continue my excursion to the light areas of the image. This picture has an interesting peculiarity: as you can see in the EXIF underneath, I forgot to remove the exposure compensation, which resulted in the white spot behind the moth its second wing being centered.

But the transition from overlight to light is very smooth, and on a good monitor or projector it is not visible or conspicuous. This is exactly what happened on the Sony projector: you couldnā€™t see the transition. This is just a masterpiece result for a projector!

Video technology

Device: Nikon D600. Lens: 8mm f/3.5. Focal Length: 8mm. Focus Mode: Manual. AF-Area Mode: Single. Exposure Aperture: f/8. Shutter Speed: 1/40 sec. Exposure Comp.: +1.0EV. Metering: Matrix. ISO Sensitivity: ISO 100.

I usually use this photo of the southernmost point of Russky Island in Primorye to check the color temperature and overall contrast. The picture is warm, if the projector or monitor makes it even warmer, itā€™s striking. If it is cold, the image turns out to be non-atmospheric, which is also immediately noticeable.

The contrast on the projector was just perfect. I feel like Iā€™m not looking at a projector screen, but at a professional RGB-backlit monitor.

As for the color temperature, subjectively it seemed to be almost perfect too. Subsequent measurements confirmed the first impression. For this mode it averaged about 6800K in brightness levels instead of the reference 6500K. Not a big difference at all.

Conclusions

Summary of subjective evaluation: the image is excellent! Contrast and color gamut are up to the mark, no blown-out lights, a little bit light shadows. Not bad at least not annoying color temperature.

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John Techno

Greetings, everyone! I am John Techno, and my expedition in the realm of household appliances has been a thrilling adventure spanning over 30 years. What began as a curiosity about the mechanics of these everyday marvels transformed into a fulfilling career journey.

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Comments: 3
  1. Indigo

    Based on the mention of a ā€œslide show as the measure of truthā€ in the Sony VPL-HW40ES projector visual test, my question would be: Can this projector deliver accurate and true-to-life colors and picture quality in real-time video playback as well, or is it mainly optimized for slide show presentations?

    Reply
  2. Zoey Perry

    How does the Sony VPL-HW40ES projector fare in displaying accurate and vibrant visuals? Can it truly deliver a true-to-life experience, capable of showcasing intricate details and colors with precision? Iā€™m curious to know if its performance on a slide show, which often demands high contrast and sharpness, can be seen as a reliable measure of its overall visual quality.

    Reply
    1. Everly

      The Sony VPL-HW40ES projector excels in displaying accurate and vibrant visuals, delivering a true-to-life experience with precision. The projectorā€™s high contrast ratio and sharpness make it perfect for showcasing intricate details and colors in a slide show. Its advanced technology ensures that images are sharp, clear, and true to life, providing an immersive viewing experience. Overall, the VPL-HW40ES is a reliable choice for those seeking superior visual quality and performance.

      Reply
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